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		<title>Prints on Almost in focus</title>
		<link>https://blog.almostinfocus.com/tags/prints/</link>
		<description>Recent content in Prints on Almost in focus</description>
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			<lastBuildDate>Tue, 08 Sep 2026 00:00:00 +0200</lastBuildDate>
		
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				<title>Under-lens filter holder V2: now with a configurable thread size</title>
				<link>https://blog.almostinfocus.com/posts/under-lens-filter-holder-v2-now-with-a-configurable-thread-size/</link>
				<pubDate>Tue, 08 Sep 2026 00:00:00 +0200</pubDate>
				<guid>https://blog.almostinfocus.com/posts/under-lens-filter-holder-v2-now-with-a-configurable-thread-size/</guid>
				<description>&lt;div class=&#34;center-image-inline&#34;&gt;&#xA;  &lt;a href=&#34;images/dscf0027.jpg&#34; data-lightbox=&#34;gallery&#34; data-title=&#34;&#34; &gt;&#xA;    &lt;img src=&#34;images/dscf0027_thumb.jpg&#34; alt=&#34;&#34;&gt;&#xA;  &lt;/a&gt;&#xA;&lt;/div&gt;&#xA;&#xA;&lt;p&gt;About a year ago, I published my under-lens filter holder for photo enlargers on &lt;a href=&#34;https://makerworld.com/en/models/1658574-darkroom-photo-enlarger-filter-carriage-system&#34; target=&#34;_blank&#34; rel=&#34;noopener&#34;&gt;MakerWorld&lt;/a&gt; and wrote a &lt;a href=&#34;https://blog.almostinfocus.com/posts/analog-photography--3d-printing-love/&#34;&gt;blog post&lt;/a&gt; about it. Since then, I&amp;rsquo;ve been using it regularly for my darkroom printing sessions. The original version was designed for my own lens, which has a 40.5 mm thread. Later, someone mentioned modifying it for a different thread size. I asked if they could share their version as a print profile, but I never heard back. That also made me realize: maintaining dozens of fixed variants doesn&amp;rsquo;t scale. What you really want is a parametric model that lets anyone set their own thread size.&lt;/p&gt;</description>
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				<title>The burning tool is a game-changer for darkroom printing</title>
				<link>https://blog.almostinfocus.com/posts/the-burning-tool-is-a-game-changer-for-darkroom-printing/</link>
				<pubDate>Fri, 20 Feb 2026 00:00:00 +0100</pubDate>
				<guid>https://blog.almostinfocus.com/posts/the-burning-tool-is-a-game-changer-for-darkroom-printing/</guid>
				<description>&lt;p&gt;From my experience, photos of unevenly lit scenes are usually the most difficult&#xA;to print in the darkroom due to the significant differences in the negative&amp;rsquo;s&#xA;density between highlights and shadows.&#xA;In film photography, as opposed to a digital workflow, one needs to&#xA;preserve shadows instead of highlights. When approaching an unevenly lit scene,&#xA;it&amp;rsquo;s better to adjust the exposure for the shadows to make them denser on the&#xA;negative; otherwise, the shadow areas will be transparent and lack detail.&lt;/p&gt;</description>
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				<title>Lessons from printing a big photo project in the darkroom</title>
				<link>https://blog.almostinfocus.com/posts/lessons-from-printing-a-big-photo-project-in-the-darkroom/</link>
				<pubDate>Thu, 11 Dec 2025 00:00:00 +0100</pubDate>
				<guid>https://blog.almostinfocus.com/posts/lessons-from-printing-a-big-photo-project-in-the-darkroom/</guid>
				<description>&lt;p&gt;In January, I published a &lt;a href=&#34;https://almostinfocus.com/shirokuro/&#34; target=&#34;_blank&#34; rel=&#34;noopener&#34;&gt;virtual photo&#xA;album&lt;/a&gt; with photos from Kyushu, Chūgoku,&#xA;and Kansai that I shot entirely on black and white film. While the digital album&#xA;is convenient for sharing, I wanted to have physical prints as well. This&#xA;project became my main motivation for &lt;a href=&#34;https://blog.almostinfocus.com/posts/building-a-teeny-tiny-darkroom/&#34;&gt;building a darkroom at home&lt;/a&gt;. After eight months of occasional&#xA;darkroom sessions, I&amp;rsquo;m sitting with a stack of 104 gelatin silver prints on my&#xA;table and a strong feeling of accomplishment. It was my first long printing&#xA;project, so I wanted to share a few things I learned.&lt;/p&gt;</description>
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				<title>Analog photography &#43; 3D printing = ❤️</title>
				<link>https://blog.almostinfocus.com/posts/analog-photography--3d-printing-love/</link>
				<pubDate>Wed, 06 Aug 2025 00:00:00 +0200</pubDate>
				<guid>https://blog.almostinfocus.com/posts/analog-photography--3d-printing-love/</guid>
				<description>&lt;p&gt;Once, I wanted to buy a lens hood for a 55-year-old Yashica Mat-124G. To my&#xA;surprise, an original hood cost half as much as I paid for the camera body.&#xA;Maintaining analog&#xA;camera gear can be tricky, as parts are no longer produced and often have to be&#xA;salvaged from donor cameras.  This is where 3D printing becomes especially&#xA;useful. It also allows you to design entirely new tools that were never&#xA;available in the first place.&lt;/p&gt;</description>
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				<title>Building a teeny tiny darkroom</title>
				<link>https://blog.almostinfocus.com/posts/building-a-teeny-tiny-darkroom/</link>
				<pubDate>Mon, 19 May 2025 00:00:00 +0200</pubDate>
				<guid>https://blog.almostinfocus.com/posts/building-a-teeny-tiny-darkroom/</guid>
				<description>&lt;p&gt;While I was happy with my hybrid approach to film photography, &lt;a href=&#34;https://blog.almostinfocus.com/posts/optimizing-film-scanning-workflow-with-plustek-opticfilm-8200i/&#34;&gt;scanning negatives&lt;/a&gt;,&#xA;editing them in Negative Lab Pro, and printing on an inkjet printer, the idea of&#xA;wet printing in a darkroom was always tempting. The problem is, I live in an&#xA;apartment and don’t have a spare room to dedicate to a darkroom. At one point, I&#xA;searched for community darkrooms around and even found a&#xA;hackerspace that had recently built one. But either my unwillingness to commute&#xA;or the social anxiety of joining a group of strangers kept me from going.&lt;/p&gt;</description>
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