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    <title>Kodak Vision 500T on Almost in focus</title>
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      <title>Shooting Kodak Vision 500T (Marix 800T) at night</title>
      <link>https://blog.almostinfocus.com/posts/shooting-kodak-vision-500t-marix-800t-at-night/</link>
      <pubDate>Wed, 19 Feb 2025 00:00:00 +0100</pubDate>
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      <description>&lt;p&gt;Trying tungsten-balanced film had been on my list of experiments for a while,&#xA;and staying in Osaka felt like the perfect opportunity to shoot it. The city is&#xA;incredibly bright at night, with neon lights everywhere, making it an ideal&#xA;setting for a film that thrives in artificial lighting.&lt;/p&gt;&#xA;&lt;div class=&#34;center-image-inline&#34;&gt;&#xA;  &lt;a href=&#34;images/2.jpg&#34; data-lightbox=&#34;gallery&#34; data-title=&#34;Dotonbori&#34; &gt;&#xA;    &lt;img src=&#34;images/2_thumb.jpg&#34; alt=&#34;Dotonbori&#34;&gt;&#xA;  &lt;/a&gt;&#xA;&lt;/div&gt;&#xA;&#xA;&lt;p&gt;The tungsten-balanced film is designed for artificial&#xA;lighting, and if you use it during the day, your photos will have a strong blue&#xA;cast. This happens because the film is balanced for 3200K tungsten light, which&#xA;is much warmer than daylight. Without a corrective filter, daylight will shift&#xA;photos toward blue tones.&lt;/p&gt;</description>
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